Joan Ross and the past imperfect
Sally Gearon, Art Guide, 19 Mar 2025Exhibition review: Joan Ross, Those trees came back to me in my dreams, National Portrait Gallery
Gina Fairely, Artshub, 4 Nov 2024Artist puts High Vis glare on Australia's colonisers
Liz Hobday, The Canberra Times, 24 Aug 2024Ross & Rothwell: In the same boat
Dr Lisa Slade, Ngununggula, 17 Feb 2024Destination Sydney show merges nature with art
John McDonald, Sydney Morning Herald, 10 Feb 2022Destination Sydney: The Natural World
Naomi Riddle, Manly Art Gallery & Museum, 6 Jan 2022Exhibition review: I like to name everything after myself
Elizabeth Walton, Arts Hub, 29 Nov 2021Houston, We Have a Problem
Daniel Mudie Cunningham, Art Collector Magazine, 8 Oct 2021Joan Ross on history and hi-vis
Briony Downes, Art Guide, 1 Jun 2021A modern Joan of Art: Challenging Sydney's colonial past
Linda Morris, Sydney Morning Herald, 19 Feb 2020From Abdul Abdullah, Joan Ross, to Vincent Namatjira: 10 artists forging a new political future
Chloé Wolifson, The Guardian, 13 Jan 2020ACMI announces Joan Ross as recipient of 2018 Mordant Family VR Commission
Imogen Craddock Kandel, Australian Centre for the Moving Image, 30 May 2018Joan Ross wins ACMI’s 2018 Mordant Family VR Commission
Art Radar Journal, 29 May 2018Joan Ross tackles Australia’s settlement in video work Colonial Grab
Bronwyn Watson, The Australian, 19 Aug 2017This year's Sulman Prize winner is complex, timely, and utterly captivating
Ramesh Mario Nithiyendran, TimeOut, 8 Aug 2017
