• N.Smith Gallery is pleased to present James Tylor’s Tapa-arra Through the Landscape, a photographic exploration of Indigenous roads, songlines, and...

    N.Smith Gallery is pleased to present James Tylor’s Tapa-arra Through the Landscape, a photographic exploration of Indigenous roads, songlines, and trade routes across Australia, focussing on the Kaurna people of South Australia. For thousands of years, these paths connected Aboriginal nations, facilitating movement, exchange, and cultural continuity. Now,  overlaid by colonial infrastructure, their histories obscured beneath highways and urban sprawl. Through his layered photographic interventions and use of negative space, James reveals these hidden routes, tracing both the disruption and endurance of these historical networks.

     

    Across the series, roads stretching from Adelaide to Rapid Bay, Encounter Bay, the River Murray, and beyond resurface as points of reflection and continual connection. James’ practice, grounded in experimental and historical photographic techniques, recontextualises the visual language of colonial documentation, offering a counter-narrative that asserts Indigenous presence and knowledge.

     

    We warmly invite you to the opening of James Tylor's solo exhibition Tapa-arra Through the Landscape at N.Smith Gallery, 15 Foster Street, Surry Hills, 27 February, 6-8pm. No RSVP required. 

     

     

     

  • 'This photographic series, Tapa-arra Through the Landscape, highlights historical Indigenous roads, songlines and trade routes across Australia. For thousands of...
    James Tylor
    Tapa-arra Through the Landscape 1, 2024
    cut photograph in glass frame
    50 x 55 cm
    'This photographic series, Tapa-arra Through the Landscape, highlights historical Indigenous roads, songlines and trade routes across Australia. For thousands of years, Aboriginal people have used roads to link different nations for travel, migration, trading, and other cultural purposes.'
    • James Tylor Tapa-arra Through the Landscape 2, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 2, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 3, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 3, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 4, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 4, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 5, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 5, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 6, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 6, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 7, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 7, 2024
      cut photograph in glass frame
      50 x 55 cm
  • 'This series specifically looks at roads that link the Kaurna people with their neighbouring nations in South Australia and other...
    JAMES TYLOR
    Tapa-arra Through the Landscape 8, 2024
    cut photograph in glass frame
    50 x 55 cm
    'This series specifically looks at roads that link the Kaurna people with their neighbouring nations in South Australia and other nations across Australia. There are several well-recorded Kaurna roads from Adelaide, South to Rapid Bay, South East to Encounter Bay, West to the River Murray, North East to the Barossa Valley and North to the Northern Adelaide Plains.'
    • James Tylor Tapa-arra Through the Landscape 9, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 9, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 10, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 10, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 11, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 11, 2024
      cut photograph in glass frame
      50 x 55 cm
  • 'The British and German colonists used all of the Kaurna roads during colonisation in the 19th century, and these routes have become main highways today. Kaurna people and their neighbouring nations created these roads because they were the most accessible and most direct paths through the landscape.'

  • James Tylor Tapa-arra Through the Landscape 12, 2024 cut photograph in glass frame 50 x 55 cm
    James Tylor
    Tapa-arra Through the Landscape 12, 2024
    cut photograph in glass frame
    50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 13, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 13, 2024
      cut photograph in glass frame
      50 x 55 cm
    • James Tylor Tapa-arra Through the Landscape 14, 2024 cut photograph in glass frame 50 x 55 cm
      James Tylor
      Tapa-arra Through the Landscape 14, 2024
      cut photograph in glass frame
      50 x 55 cm
  • 'The photographs depicted the sites of these historical roads, and the pictures are cut in half to symbolise the path of least resistance through the land. Tapa-arra is a Kaurna word that means "along the path" and translates Tapa "path" - arra "along".'
  • BIO.

    BIO.

    'The removal of Aboriginal cultures due to colonisation has left the appearance that Australia was 'Untouched' before European arrival.'
    James Tylor is a multi-disciplinary visual artist whose practice explores Australian environment, culture and social history through photography, video, painting, drawing, sculpture, installation, sound, scent and food.

    James explores Australian cultural representations through the perspectives of his multicultural heritage that comprises Nunga (Kaurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch and Norwegian) ancestry. Tylor's work focuses largely on the history of 19th century Australia and its continual effect on present day issues surrounding cultural identity and the environment. His research, writing and artistic practice has focused most specifically on Kaurna indigenous culture from the Adelaide Plains region of South Australia and more broadly European colonial history in Southern Australia. His practice also explores Australian indigenous plants and the environmental landscape of Southern Australia.

     

    Request available works / Join James' preview list.