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Fiona LowryDeep in the forest there's an unexpected clearing that can be reached only by someone who has lost his way, 2024-25acrylic on canvas213 x 352 cm
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Fiona Lowry Lowry’s paintings of the Australian landscape portray the bush as strangely beautiful, alluring and steadfast.
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Thea Anamara Perkins ‘It’s about taking charge of representation – I find that painting is a very simple and direct way of communicating things that I want to say.’
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Casey Chen Casey Chen’s ceramics practice references historical illustrations from an eclectic mix of folklore, mythology and pop culture.
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Christopher Zanko 'Zanko creates permanence through the action of carving and simultaneously gives these homes and memories an enduring place to survive.'
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Holly Anderson From across a room, Holly Anderson’s paintings appear to swim in the brightness of a clear sky. Bursts of sunlight populate familiar subject matter – interiors, figures, skies, and water are monochromic planes pierced with white light...
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James Tylor James Tylor is a multi-disciplinary visual artist whose practice explores Australian environment, culture and social history through photography, video, painting, drawing, sculpture, installation, sound, scent and food.
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Joan Ross Bold and experimental, Joan Ross' practice investigates the legacy of colonialism in Australia with a particular focus on reconfiguring the colonial Australian landscape and drawing attention to the complex and ongoing issues surrounding the effects of globalisation and colonisation.
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Jordan Gogos Dividing his time between fashion design and his art practice, Jordan Gogos spends the whole year considering the context of his work and the concept of sustainability.
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Louise Zhang 'The greatest tool in painting is colour, because colour has the greatest way of manipulating perspective.'
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Sally Scales 'We grew up knowing we had to use our voices for our families and communities. It's go time.'
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Tom Blakeif the leaves are still there (holding on to a letter), 2020hand etched de-silvered mirrors, light boxes, artist-made frames40 x 90 cm
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Tom Blake Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.
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Vipoo SrivilasaFour Elements, 2025porcelain, glazed ceramic and glass22 x 12 x 12 cm (fire); 18 x 12 x 12 cm (water); 19 x 12 x 12 cm (air); 17 x 12 x 12 cm (earth)
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Vipoo Srivilasa 'Central to Vipoo Srivilasa’s creative practice is art’s ability to elicit the sense of joy, whilst also acting as a conduit for serious issues...'
