• 'A drawing of a tree shows not a tree but a tree being looked at' John Berger These works are...
    'A drawing of a tree shows not a tree but a tree being looked at'
    John Berger
     
    These works are not about me but I am their transcriber and so we are inextricable. I am the gaze that beholds them.
    I no longer wish to say 'I was here' but rather 'I was here to bear witness
    A quiet devotion and gentle testament to an earth in decline.
    • Neva Hosking Michael's Bathtub, 2024 ink on paper 41.3 x 27.8 cm (sheet, overall)
      Neva Hosking
      Michael's Bathtub, 2024
      ink on paper
      41.3 x 27.8 cm (sheet, overall)
    • Neva Hosking A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024 ink on paper 85.9 x 44.5 (sheet, overall)
      Neva Hosking
      A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024
      ink on paper
      85.9 x 44.5 (sheet, overall)
  • Neva Hosking Anthurium Warocqueanum Up The Tree at Mollies, Kuranda, 2024 ink on paper 43.5 x 28 cm (sheet, overall)
    Neva Hosking
    Anthurium Warocqueanum Up The Tree at Mollies, Kuranda, 2024
    ink on paper
    43.5 x 28 cm (sheet, overall)
  • Neva Hosking Alocasia Clypeolata Under The Palms At Michaels, Tully, 2024 ink on paper 29.5 x 42.5 cm (sheet, overall)
    Neva Hosking
    Alocasia Clypeolata Under The Palms At Michaels, Tully, 2024
    ink on paper
    29.5 x 42.5 cm (sheet, overall)
    • Neva Hosking No-name Anthurium In The Bushhouse At Jindis, Kuranda , 2024 ink on paper 28 x 21.5 cm (sheet)
      Neva Hosking
      No-name Anthurium In The Bushhouse At Jindis, Kuranda , 2024
      ink on paper
      28 x 21.5 cm (sheet)
    • Neva Hosking Yellow Saraca Shades Anthurium Guatemala At Pats, Innisfail, 2024 ink on paper 26.8 x 20.1 cm (sheet)
      Neva Hosking
      Yellow Saraca Shades Anthurium Guatemala At Pats, Innisfail, 2024
      ink on paper
      26.8 x 20.1 cm (sheet)
    • Neva Hosking Sonerila Maculata In The Moss At Peters, Speewah, 2024 ink on paper 28 x 21.5 cm (sheet)
      Neva Hosking
      Sonerila Maculata In The Moss At Peters, Speewah, 2024
      ink on paper
      28 x 21.5 cm (sheet)
    • Neva Hosking Philodendron Verrucosum Climbs The Tree Fern By The Creek At Mollies, Kuranda, 2024 ink on paper 43.5 x 28 cm (sheet, overall)
      Neva Hosking
      Philodendron Verrucosum Climbs The Tree Fern By The Creek At Mollies, Kuranda, 2024
      ink on paper
      43.5 x 28 cm (sheet, overall)
    • Neva Hosking Anthurium Hybrids In The Greenhouse Nige Built, Speewah, 2024 ink on paper 44.5 x 28.3 (sheet, overall)
      Neva Hosking
      Anthurium Hybrids In The Greenhouse Nige Built, Speewah, 2024
      ink on paper
      44.5 x 28.3 (sheet, overall)
    • Neva Hosking Butterfly I, 2024 ink on paper 28 x 21.5 cm (sheet)
      Neva Hosking
      Butterfly I, 2024
      ink on paper
      28 x 21.5 cm (sheet)
    • Neva Hosking Butterfly II, 2024 ink on paper 27.9 x 21.5 cm (sheet)
      Neva Hosking
      Butterfly II, 2024
      ink on paper
      27.9 x 21.5 cm (sheet)
  • Neva Hosking Aristolochia Leuconeura Rambling The Fence At Peters, Speewah, 2024 ink on paper 27.9 x 21.5 cm (sheet)
    Neva Hosking
    Aristolochia Leuconeura Rambling The Fence At Peters, Speewah, 2024
    ink on paper
    27.9 x 21.5 cm (sheet)
    • Neva Hosking Meadow Argus, Lovers Beach, 2024 ink on paper 22.7 x 16 cm (sheet)
      Neva Hosking
      Meadow Argus, Lovers Beach, 2024
      ink on paper
      22.7 x 16 cm (sheet)
    • Neva Hosking Moth I, 2024 ink on paper 28 x 21.5 cm (sheet)
      Neva Hosking
      Moth I, 2024
      ink on paper
      28 x 21.5 cm (sheet)
    • Neva Hosking Moth II, 2024 ink on paper 20 x 20 cm (sheet)
      Neva Hosking
      Moth II, 2024
      ink on paper
      20 x 20 cm (sheet)
    • Neva Hosking Moth III, 2024 ink on paper 27.8 x 21.6 cm (sheet)
      Neva Hosking
      Moth III, 2024
      ink on paper
      27.8 x 21.6 cm (sheet)
    • Neva Hosking Moth IV, 2024 ink on paper 29.5 x 21 cm (sheet)
      Neva Hosking
      Moth IV, 2024
      ink on paper
      29.5 x 21 cm (sheet)
  • Neva Hosking A Glimpse Of The Greenhouse At Chris And Ardens, Cairns, 2024 ink on paper 28 x 21.5 cm...
    Neva Hosking
    A Glimpse Of The Greenhouse At Chris And Ardens, Cairns, 2024
    ink on paper
    28 x 21.5 cm (sheet)
    • Neva Hosking Moth V, 2024 ink on paper 27.8 x 21.2 cm (sheet)
      Neva Hosking
      Moth V, 2024
      ink on paper
      27.8 x 21.2 cm (sheet)
    • Neva Hosking Moth VI, 2024 ink on paper 28.2 x 22 cm (sheet)
      Neva Hosking
      Moth VI, 2024
      ink on paper
      28.2 x 22 cm (sheet)
    • Neva Hosking Moth VII, 2024 ink on paper 27.8 x 21.5 cm (sheet)
      Neva Hosking
      Moth VII, 2024
      ink on paper
      27.8 x 21.5 cm (sheet)
  • Behind the wheel, in front of the storm.

    Neva Hosking’s Behind the Wheel, in front of the storm traces the quiet interplay between human presence and the natural world. Her intricate drawings capture the lush flora of the far North, brimming with life yet tempered by an understanding of its impermanence. Her drawings break through the desire to transform the natural space through a sense of ownership or development, instead centering quiet observation as the guiding form for her works. Nature is entirely uninterested in human progress, and it’s beauty exists not as a fleeting spectacle, but as something that returns, transforms and endures. For in a day a forest might see the ground littered with dead leaves and fallen trees, but then somewhere a flower is budding and without desire for fanfare, without beginning or end, it repeats. 

     

    By drawing on vintage graph paper—relics of unsigned contracts, expired building forms, and forgotten campaigns—Neva bends our perception of the present. Interrupting our linear view on time, she evaluates the impact of an anthropocentric view on our collective ability to view and evaluate the environment. Using foundations of the manmade, her drawings burst forth on the page, superseding its authority, creating a counterpoint that inspires curiosity rather than a desire for ownership. 

     

    Observation, in Neva’s practice, is active in how it is essential to understanding the world around her. Her depictions remind us that nature is not static or separate but endlessly moving, growing, and reclaiming. To look deeply is to grow alongside it, broadening our understanding of its rhythms and, in turn, our place within them. Signing her works with a four-leaf clover, she cedes authorship to the world she observes, acknowledging its role as collaborator in her works and her life at large.

     

    Like moths that carve patterns into forgotten sweaters, nature does not demand our attention yet leaves its marks all the same. These disruptions—holes, clearings, wilted leaves—are not fractures or allowances in our urban society, but part of a shared resilience of the environment, evidence of a world in which we are neither central nor separate.Neva Hosking offers this glimpse into her world of burgeoning green, an intense abundance seldom seen in the city, so that we too can bear witness. 

  • Bio.

    Bio.

    Neva Hosking is an artist who clearly takes great personal delight in the living. Taking her cues from the rich visual delights of her immediate environment, Neva’s still lifes are semi-autobiographical, displaying in their subject matter and aesthetic structure cues from her personal life. 

     

    In Neva’s work, the paper is as much the work as the marks she leaves upon it. The printed grids on the paper act as windows to both project upon and to peer at, to let the viewer peek through, and to keep them at just the right distance. Drawn from life, the artist’s painstaking methodology explores Hosking’s own collection of plants examined in an intensely detailed technique. Once framed, Neva’s works become windows into her greenhouse — an invitation into her personal world. Devoid of colour, focus is made on the line and form of the artist’s subjects to engage a sense of attention that enables the elevation of otherwise overlooked plants.

     

    Neva’s works are transformative. They do not aim to shock or admonish viewers, nor do they operate as vehicles for socio-political commentary. The detail, careful composition and craftsmanship of her practice provides ample stimulation for the viewer, providing a poignant reminder of the unique wonders of nature. Neva’s remarkable works of observation centred on living plants redefines the still life genre by celebrating nature.

     

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