• The exhibition The Interior invites viewers into a world of intimate spaces, where the boundaries between the interior and the exterior blur. Through diverse mediums and artistic practices, this exhibition explores how our internal environments, both literal and metaphorical, shape and reflect our experiences, memories, and connections to the world around us.
  • Holly Anderson The graph, 2024 oil on panel 80 x 60 cm
    Holly Anderson
    The graph, 2024
    oil on panel
    80 x 60 cm
  • Holly Anderson

    From across a room, Holly Anderson’s paintings appear to swim in the brightness of a clear sky. Bursts of sunlight populate familiar subject matter – interiors, figures, skies, and water are monochromic planes pierced with white light...

     

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  • Joan Ross’ and Sally Anderson’s still life works evoke the beauty and quiet complexity of everyday objects, bringing a sense of stillness and contemplation to the gallery space. Their arrangements, carefully composed and imbued with a vibrant energy, invite the viewer to consider the layers of meaning and history embedded in the domestic sphere. Through their nuanced depictions, Ross and Anderson explore how the ordinary becomes extraordinary when seen through an artistic lens.
  • Joan Ross (tbc), 2025 acrylic on canvas 100 x 80 cm
    Joan Ross
    (tbc), 2025
    acrylic on canvas
    100 x 80 cm
     
  • Joan Ross

    Bold and experimental, Joan Ross' practice investigates the legacy of colonialism in Australia with a  particular focus on reconfiguring the colonial Australian landscape and drawing attention to the complex and ongoing issues surrounding the effects of globalisation and colonisation.

     

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    • Sally Anderson MA Vessel SL, EV Linen Press Window, 2024 acrylic on canvas 153 x 137.5 cm
      Sally Anderson
      MA Vessel SL, EV Linen Press Window, 2024
      acrylic on canvas
      153 x 137.5 cm
    • Sally Anderson on-going orchid, birth plant, EV's linen cupboard, 2024 acrylic on canvas 102 x 122.5 cm
      Sally Anderson
      on-going orchid, birth plant, EV's linen cupboard, 2024
      acrylic on canvas
      102 x 122.5 cm
    • Sally Anderson birth plant, GM Bridal Veil, bowl hold, orange jug EV interior, 2024 acrylic on polycotton 122 x 112 cm
      Sally Anderson
      birth plant, GM Bridal Veil, bowl hold, orange jug EV interior, 2024
      acrylic on polycotton
      122 x 112 cm
  • Sally Anderson

    'Deep within, her paintings carry autobiographical elements heavy with memory and meaning...'

     

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  • Thea Anamara Perkins Victoria Street, 2025 acrylic on board 40.5 x 30.5 cm
    Thea Anamara Perkins
    Victoria Street, 2025
    acrylic on board
    40.5 x 30.5 cm
  • Thea Anamara Perkins

    ‘It’s about taking charge of representation – I find that painting is a very simple and direct way of communicating things that I want to say.’

     

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  • Christopher Zanko’s tile works further enhance this dialogue on domesticity and space. His intricate and tactile ceramic pieces combine form, texture, and color, evoking a sense of permanence and ritual. These works act as markers of place, drawing attention to the often-overlooked details within the architecture of our surroundings, offering a modern twist on age-old traditions of interior decoration.
    • Christopher Zanko The Laundry, 2023 acrylic on wood relief carving 59 x 54 cm
      Christopher Zanko
      The Laundry, 2023
      acrylic on wood relief carving
      59 x 54 cm
    • Christopher Zanko The Bathroom, 2023 acrylic on wood relief carving 59 x 54 cm
      Christopher Zanko
      The Bathroom, 2023
      acrylic on wood relief carving
      59 x 54 cm
  • Christopher Zanko

    'Zanko creates permanence through the action of carving and simultaneously gives these homes and memories an enduring place to survive.'

     

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    • Casey Chen Borrowing a Page from History, 2023 glazed porcelain, ceramic colourants, enamels, gold lustre, and applied gold leaf; fired 5 times 13.5 x 14.4 x 14.5 cm
      Casey Chen
      Borrowing a Page from History, 2023
      glazed porcelain, ceramic colourants, enamels, gold lustre, and applied gold leaf; fired 5 times
      13.5 x 14.4 x 14.5 cm
    • Casey Chen Lollybomb 3, 2025 glazed porcelain, ceramic colourants, enamels, and gold lustre; fired 5 times 43 x 22.5 x 22.5 cm
      Casey Chen
      Lollybomb 3, 2025
      glazed porcelain, ceramic colourants, enamels, and gold lustre; fired 5 times
      43 x 22.5 x 22.5 cm
    • Casey Chen Gourd Bowl, 2024 glazed porcelain, ceramic colourants, enamels, and gold lustre 6 x 10 x 10 cm
      Casey Chen
      Gourd Bowl, 2024
      glazed porcelain, ceramic colourants, enamels, and gold lustre
      6 x 10 x 10 cm
  • Casey Chen

    Casey Chen’s ceramics practice references historical illustrations from an eclectic mix of folklore, mythology and pop culture.

     

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    • Vipoo Srivilasa Connexus, the Weaver of Seamless Connection, 2024 clay, glaze, gold lustre & mixed media 72 x 25 x 16 cm
      Vipoo Srivilasa
      Connexus, the Weaver of Seamless Connection, 2024
      clay, glaze, gold lustre & mixed media
      72 x 25 x 16 cm
    • Vipoo Srivilasa Amoritus, the Deity of Passion, 2024 clay, glaze, gold lustre & ceramic transfer 43 x 20 x 15 cm
      Vipoo Srivilasa
      Amoritus, the Deity of Passion, 2024
      clay, glaze, gold lustre & ceramic transfer
      43 x 20 x 15 cm
    • Vipoo Srivilasa Calma, the Spirit of Tranquillity, 2024 clay, glaze, gold lustre & mixed media 58 x 33 x 17 cm
      Vipoo Srivilasa
      Calma, the Spirit of Tranquillity, 2024
      clay, glaze, gold lustre & mixed media
      58 x 33 x 17 cm
  • VIpoo Srivilasa

    'Central to Vipoo Srivilasa’s creative practice is art’s ability to elicit the sense of joy, whilst also acting as a conduit for serious issues...'

     

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  • In contrast, Claire Healy & Sean Cordeiro’s works reference the iconic wallpaper designs of Florence Broadhurst, exploring the intersection of design, history, and cultural identity. Their immersive installations challenge the boundaries of interior design by using wallpaper not only as a decorative element but as a medium through which they engage with notions of personal and collective memory, pattern, and repetition. Their works serve as a visual commentary on how our environments are layered with both aesthetic pleasure and cultural meaning.
    • Claire Healy & Sean Cordeiro Bamboo Flute: Gold, 2022 acrylic gouache on booze box 51.5 x 62.5 cm
      Claire Healy & Sean Cordeiro
      Bamboo Flute: Gold, 2022
      acrylic gouache on booze box
      51.5 x 62.5 cm
    • Claire Healy & Sean Cordeiro Bobby Brown, 2022 acrylic gouache on booze box 62.5 x 52.5 cm
      Claire Healy & Sean Cordeiro
      Bobby Brown, 2022
      acrylic gouache on booze box
      62.5 x 52.5 cm
    • Claire Healy & Sean Cordeiro Ikebana Bubbly: Gold, 2022 acrylic gouache on booze box 61 x 52 cm
      Claire Healy & Sean Cordeiro
      Ikebana Bubbly: Gold, 2022
      acrylic gouache on booze box
      61 x 52 cm
    • Claire Healy & Sean Cordeiro Blue Carnation Skinny Bitch, 2022 acrylic gouache on booze box 66 x 26.2 cm
      Claire Healy & Sean Cordeiro
      Blue Carnation Skinny Bitch, 2022
      acrylic gouache on booze box
      66 x 26.2 cm
    • Claire Healy & Sean Cordeiro Madame Pellier's Sommelier on Silver, 2022 acrylic gouache on booze box 53 x 62.5 cm
      Claire Healy & Sean Cordeiro
      Madame Pellier's Sommelier on Silver, 2022
      acrylic gouache on booze box
      53 x 62.5 cm
  • Claire Healy & Sean Cordeiro

    Working as a collaborative duo since 2001, Claire Healy & Sean Cordeiro's practice reflects a preoccupation with the dynamics of global mobility, fallout of consumer society, and contemporary notion of home.

     

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  • Natasha walsh

    'My practice thrives on experimentation... I actually don’t enjoy confronting my reflection. At times the vulnerability of this can be very disheartening and unpleasant.'

     

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  • Neva Hosking’s works, drawn inside her greenhouse, delve into the relationship between nature and human habitation. These botanical-inspired pieces draw attention to the delicate balance between cultivated space and organic growth, highlighting the ways in which nature and human intervention coexist within enclosed environments. Hosking’s exploration of the greenhouse as a curated, yet fragile, ecosystem invites reflection on our role in shaping and controlling the spaces we inhabit.
    • Neva Hosking A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024 ink on paper 85.9 x 44.5 (sheet, overall)
      Neva Hosking
      A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024
      ink on paper
      85.9 x 44.5 (sheet, overall)
    • Neva Hosking Philodendron Verrucosum Climbs The Tree Fern By The Creek At Mollies, Kuranda, 2024 ink on paper 43.5 x 28 cm (sheet, overall)
      Neva Hosking
      Philodendron Verrucosum Climbs The Tree Fern By The Creek At Mollies, Kuranda, 2024
      ink on paper
      43.5 x 28 cm (sheet, overall)
    • Neva Hosking No-name Anthurium In The Bushhouse At Jindis, Kuranda , 2024 ink on paper 28 x 21.5 cm (sheet)
      Neva Hosking
      No-name Anthurium In The Bushhouse At Jindis, Kuranda , 2024
      ink on paper
      28 x 21.5 cm (sheet)
    • Neva Hosking Yellow Saraca Shades Anthurium Guatemala At Pats, Innisfail, 2024 ink on paper 26.8 x 20.1 cm (sheet)
      Neva Hosking
      Yellow Saraca Shades Anthurium Guatemala At Pats, Innisfail, 2024
      ink on paper
      26.8 x 20.1 cm (sheet)
    • Neva Hosking Alocasia Clypeolata Under The Palms At Michaels, Tully, 2024 ink on paper 29.5 x 42.5 cm (sheet, overall)
      Neva Hosking
      Alocasia Clypeolata Under The Palms At Michaels, Tully, 2024
      ink on paper
      29.5 x 42.5 cm (sheet, overall)
  • Neva Hosking

    Taking her cues from the rich visual delights of her immediate environment, Neva’s still lifes are semi-autobiographical, displaying in their subject matter and aesthetic structure cues from her personal life. 

     

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    • Tom Blake constellations (index, chair), 2025 cyanotype, artist-made brass frame 51 x 41 cm
      Tom Blake
      constellations (index, chair), 2025
      cyanotype, artist-made brass frame
      51 x 41 cm
    • Tom Blake constellations (index, chair) (II), 2025 cyanotype, artist-made brass frame 41 x 21 cm
      Tom Blake
      constellations (index, chair) (II), 2025
      cyanotype, artist-made brass frame
      41 x 21 cm
  • Tom Blake

    Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.

     

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  • Savannah Jarvis Anatomical Fashion, 2025 oil paint on clayboard 61 x 46 cm

    Savannah Jarvis
    Anatomical Fashion, 2025
    oil paint on clayboard
    61 x 46 cm

  • Savannah Jarvis Join Savannah's preview list / Find out more.
  • Together, these artists offer a multifaceted exploration of the interior – whether domestic, personal, or botanical – revealing the profound ways in which our environments inform our sense of self, place, and memory. The Interior is an exhibition that invites us to reconsider the spaces we occupy and how they shape our narratives.